Social Icons

Pages

Thursday, February 19, 2009

The BEGINNING of my CLOSE



The amazing thing about a story or anything that you do is the fact that it so often reflects the people, the places, and the experiences that so mold us into who we are. This is no exception...

For the last two to three years I have created an album series that pumps, breathes, and exists among all the things I just named. It's called Dirtyfoot's. The albums in the series are as follows:


  • LIVE @ Dirtyfoot's

  • Dirtyfoot's @fter dark

  • Dirtyfoot's @ last

  • Dirtyfoot's: FIN@LE



As you can most undoubtedly see, Dirtyfoot's: FIN@LE will be the last one in the series. And like always, the people I know provide the influence for the songs, the stories, and the characters. Some of the people represented in verses in this album include my friends (Santos, Che), family (Mom, Clerona), and anyone else I so deem. Thank you all those who inspired what is to come.

Now on to business...


It can always be noticed that we as someone eles's child inherit or get certain similarities from our parents, whether it be personality or physical attributes; this song really deals with that.

A father looks at his daughter and sees too much of her mother in her, a woman he loved and thought her had gotten over. The result is this..."Nearly Mirrors"


Nearly Mirrors
Vegas-Nadra? Nadra? Nadi, we need to talk…

Nadra-What could we possibly have to talk about?

Vegas-Our relationship…we should be closer than this…we used to be closer than this…what happened?

Nadra-(looks at him) Please don’t act like you don’t know…

Vegas-(sighs, looks at her) I don’t…so please tell me, Nadra…

(In the throws of her explanation to her father she thinks back some years earlier when she had heard her parents in the heat of an argument. Their arguments and disagreements were nothing to get excited over in her thinking, it happened so often after all. But one particular exchange had caused the rift between father and daughter.)

Tara-Vegas, I’m not gonna be gone forever…a few years and I get breaks to come home in between. What more do you want?

Vegas-I want you to stay and be a mother to your child and stop chasing some model fantasies….that’s what I want.

Tara-(wrinkles face in disgust) Be a mother?!? You have the balls to tell me about being a parent when the most time YOU spend with Nadi is at meals? That’s funny. You act like you don’t want her…

Vegas-Like I said at the outset of this, I didn’t want you to keep her but you were so adamant about having my child that I caved…and in any case I’m forbidding you to leave.

Tara-Whatever…you feel how you want to feel. And as far as you telling, or forbidding, me from going, that’s not even a concern. I only asked to be polite…I told Nadi, Dana and Jonathan promised to help, along with my parents and E.J. You can continue looking past our daughter. I mean, that’s what you’re really mad about, right? (turns, walks away)

Vegas-Fine…leave.

Tara-Oh…one more thing. (takes off ring, throws it) I believe that is yours.

(Vegas was stricken silent in the past just as the Vegas of the present was at Nadra’s words; only in this instant did he realize exactly how much his daughter actually looked like Tara. When he finds his words again, they are shakily said but said all the same.)

Vegas-Nadi, when I said that, I…

Nadra-I know…you meant it. It’s okay. Auntie Dana, Uncle Jon, E.J., even Mommy has been here for me more than you have. And now, I’m a grown woman and you’re concerned about salvaging a relationship. (chuckles). A little late in the game for that, don’t you think? (turns, walks away)

Vegas-Where are you going?

Nadra-To Mr. Black’s house…Lucian’s coming home today.

(She exits her father’s house and leaves him alone with his thoughts. Foremost among
those thoughts is one that he had been thinking watching his child grow up into a
woman.)

Vegas-Another Tara Kelly if ever there was one… (sits down)

Verse One
Beloved eyes burn twice, hers like yours
Filled with disgust at life’s grandest fool
They emerald seem to pierce and do the same
The very likewise of ones once called beloved
In hatred oculars paint this into corners
Apologies seem worthless here in everything
Looking at progeny, trick of lights almost swear
That mother reflects, daughter nearly mirrors

Chorus
It's like looking in a mirror... but not

Repeat three times

Verse Two
Infatuated shapes boomerang so, built in same mold
Abused just the same by imbecilic motions
Each curve an homage to their genesis
That place is and evermore will be past betrothed
Such anger held in bodily perfection
Enough to quell any words put out to console
A child of mine looks to be illusion when eyes hang low
Almost looks like maternity maker, seed nearly mirrors

Chorus 4xs

Verse Three
Long desired fire burns again, ignite similar inferno
Set aside after a past stupidity returning to haunt
That something about her lives string in another
Born of us but beyond whatever contribution given
Disgust comes now from the passionate things
Love may have all but evaporated now
This daughter born from our becoming one confuses
Every time eyes glance, she nearly mirrors

Chorus 4xs

(Because he had no more energy, whether it be from thinking of Tara or arguing with Nadra, Vegas sits in the chair trying to numb pain with alcohol; after a while it works until he sees a picture of both Tara and Nadra standing with him on a nearby table. At that glance words, or one word, returns to him.)

Vegas-Damn. (throws glass)

Sound FX Sound of shattering glass

A Prophet?...maybe


Be honest...


Would you EVER take spiritual advice from a crack head? How about a heroin addict? A meth user?



Despite knowing within myself that God can work through anyone...


NOTE:...so far, it's been a stuttering murderer (Moses), a shepherd boy with slingshot (David), a rich man with terrible luck (Job), a Hebrew girl made queen (Esther), a tax collecter of all things (Matthew), and a fisherman, I believe (Peter)...


...I kinda doubt it sometimes. In all honesty it would be hard for me to have the Ten Commandments quoted at me by someone who may be coming down from high...I would imagine it would be that much harder for an atheist to readily hear that.


This is my attempt to explore that particular scenario.


Listen closely to the... Street Corner Prophet



Street Corner Prophet (Interlude)

Verse One
No God here to judge these pawns living
Not a chance at some redemption, at some forgiving
Live and die sans interference from a big brother being
Look into common senses as reference for seeing

(One God here, testament to life and death of age
Slide Genesis under eyes and gave servant page
Without a faith, foolish more than imbibing poisons as did
A joke told in outburst whispers, jester, as only one kids)

Verse Two
There be singular chuckle here-belief in absentee landlord
Fairy tales in elder tomes cannot work if there’s no faith to be restored
Poison pusher victims no prophet or no priest
Nothing more than a nuisance to say the least

(Absentee wording? Bow low and hope for bless
Cross sacrifice cost is humble service, no less
Condemned for the former man in face of alms heaven sent
Clock ticks away for the chance to repent)

Verse Three
A chance is taken in thinking upstairs neighbor cares for all and addicts
Dollars and gold against immortal soul that He is just a Benedict
So when ready to concede in nonexistent trinity, to live in reality
Drop supposed angelic study guide and take hold of destiny

(Lead horses to living waters even if those fail to quench thirst
No failure in this diatribe because hand fellowship reached out first
One day if the answers so sure give no solace but merely quit
Seek out a previous strung-out, a modern street corner prophet

Addict-No talking to some people, I guess… (looks around) well, I tried. (walks off)

(The reformed addict walks down the road and is nearly knocked over by the sheer speed of a elderly woman rolling by in her automobile. As fast as she is moving it is hard to notice things and she doesn’t notice anything until a dull but loud thud from the front of her car causes her to stop.)

Wednesday, February 18, 2009

Far Beyond Decent...INCEST!!


What would you consider a good reason to write?

A man always has two reasons for doing anything--a good reason and the real reason. -JP Morgan


Everything has a reason, no matter how intelligent it may be or however idiotic it may seem. For instance, I write and share a lot of my lyrics for the simple reason that a lot of the things I write are based in the reality that I live in. The events, the emotions, the thoughts, the people are major influences in my writing. If ever I have spoken to you about my writing, I am sure that I have told you this particualr statement:

If I've known you long enough or if I've talked to you for a second I can base a song on you. -Lucius Black


A few examples:
(NOTE: there are a lot more but I'm trying to get to a point here...)

CAM: "Infinite Gentleman" (ALBUM: Live @ Dirtyfoot's)
SANTOS: "Hustle For It" (ALBUM: Proving Ground)
MIYA: "Calypso His" (ALBUM: Dirtyfoot's @ last)
DRE: "Search Home" (ALBUM: Dirtyfoot's @fter dark)
LIS "This Called Healing" (ALBUM: Dirtyfoot's @fter dark)

All of that of that was said to say this-there are four main reasons I write:


  • To comfort people

  • To honor a friend, family member, etc.

  • To get out emotions and/or thoughts

  • To push the envelope, making people think



This particular is the last reason. Before you go any further, I want to warn you...


WARNING:

This song will make you rather uncomfortable, I say that having written it and being so uncomfortable that I wanted to stop writing. But I ask you to look past that to the manner in which the subject matter is covered and the eloquence of it. Enjoy...

Kiss, Never Tell

Verse One
Young longing, viewed pleasures
The sinful fantasy
Quake slightly in passion
Over incest standing broad
Once lips kiss forbidden
Turn back, not an option left
Feel pounding deep within
Wrong nothing if it feels right

Verse Two
(All conscience scream stopping
Other regions play continue themes
Her touch, known for so long
Takes on a different flame
Beloved for other reasons
A lover unexpected here
Sweet sweat comes to ease nerves now
Because caress offers no console)

Verse Three
Quick paces punctuate this
Fantastic chance to know the pain
Of loving someone who
Loves you but not in lusting realm
Taste necks now, feel heartbeat
Nervous of hands that do not belong
Just one hit of the new drug
Please them as addiction of skin

Verse Four
(Threshold carries of willing
To imperfect euphoric momentary
Yield likely to quell a sin burning
Thrusts and strokes again then again
Yells continue until all blurs
As walls perspire written in our adultery
Climax comes to end motions
Until the moment repeats again)

Mother-(breathless) You are soooo good at this…

Son-(breathless) Thank you, I guess…so are you. Well…I gotta go. (kisses her).

(Whether he was ashamed of what has become a regular practice or whether his words were true no one will truly know. Mother dearest lies spent, sleeping for an hour or two after which she will try to shower away the sin and change sheets as if that might help. Father, conspicuous by his absence, sits discussing religion with the most unlikely sort-a recovering meth addict. One can only wonder if the reformed can change the heart of an atheist.)

Monday, February 9, 2009

Who the FUCK thinks about bums pissing on muffins?


What would you consider a good reason to write?

A man always has two reasons for doing anything--a good reason and the real reason. -JP Morgan

Everything has a reason, no matter how intelligent it may be or however idiotic it may seem. For instance, I write and share a lot of my lyrics for the simple reason that a lot of the things I write are based in the reality that I live in. The events, the emotions, the thoughts, the people are major influences in my writing. If ever I have spoken to you about my writing, I am sure that I have told you this particualr statement:

If I've known you long enough or if I've talked to you for a second I can base a song on you. -Lucius Black

A few examples: (NOTE: there are a lot more but I'm trying to get to a point here...)

JASMINE: "Condemned By Excellence" (ALBUM: Proving Ground)
LA'MON: "Game Set" (ALBUM:Dirtyfoot's @ last )
CLERONA: "Long For The Storm" (ALBUM: Dirtyfoot's @ last)
TIARA: "Choosing The One" (ALBUM: Dirtyfoot's @ last)
VANESSA "Everlasting Smile" (ALBUM: Dirtyfoot's @ last)

All of that of that was said to say this-there are four main reasons I write:
  • To comfort people
  • To honor a friend, family member, etc.
  • To get out emotions and/or thoughts
  • To push the envelope, making people think

  • This is more geared towards the third reason. In this I use a discarded food item as a metaphor for something larger...

    So are you to my thoughts as food to life
    Or as sweet seasoned showers are to the ground
    And for the peace of you I hold such strife
    As twix't a miser and his wealth is foun
    `Now proud as an enjoyer, and ano
    `Doubting the filching age will his treasure
    Now counting best to be with you alone
    Then bettered that the world may see my pleasure
    Sometime all full with feasting on your sight
    And by and by clean starved for a look
    Possessing or pursuing no delight
    Save what is had or must from you be took
    Thus do I pine and surfeit day by day
    Or gluttoning on all, or all away
    Sonnet 75, William Shakespeare

    Food For Thoughts

    Verse One
    Infinitesimal blink, discarded just the same as baked confections
    What was vital was taken and left raw in no latex protections
    Picked over and cast off into gutters, raggedy vagrant one
    None valued seen in this noble vagabond but wayward son
    Blinked and shook it off, disgusted by the similar fates
    Golden rivers urinate, release streams to douse the hate

    Chorus
    Munch madnessIngest emotions caught
    Take this in
    A little food for thoughts

    Repeat once

    Male VO1
    Who the fuck thinks about bums pissing on muffins?

    Verse Two
    Close behind was the victim of jeering taunts
    Morose wonders as the ghosts of tears still haunts
    Sees the treat treated like same pasts not yet gone
    A kindred spirit in inanimate, pissed off and pissed on
    Came back from the reverie, an tears cannot quit
    Form mouth into ugly kisses and commenced to spit

    Chorus 2xs

    Male VO2
    Who the fuck thinks about victims spitting on muffins?

    Verse Three
    Finally there was a nameless rabble running blindly against the wind
    Group of disregarded if ever known hoping to merely transcend
    We are the masses teeming to be heard above roar
    Better yet the multitude screaming in unison for something more
    Pushing on after pauses to run reckless in the sample
    Underfoot is the solitaire pastry, lost in the trample

    Chorus 2xs

    Male VO3
    Who the fuck thinks about masses trampling on muffins?

    (And the breakfast treat is abandoned, much as people are in this life; as the time and the world passes by, it seems that attention is drawn to a woman riding home in her car. Upon her arrival she heads upstairs; passing the open bathroom, she sees her eighteen year old son standing in a towel. For reasons unbeknownst to herself strange and altogether new thoughts enter her mind...thoughts that many would consider terrible.)

    Aria Autistic, Artistic

    A thought...



    The smaller things we do in this life...

    ...tend to become so great and something...

    ...BEAUTIFUL.

    Examples of that include:


    • Encouraging someone

    • Offering help when possible

    • Comforting someone in a time of need

    • Standing strong in the face of a difficult road


    A young father doing just that is a simple thing but if that includes the difficulty of rearing an autistic child, it may just be almost insurmountable. I guess in the end it all comes down to his ability to stand and do what no one else can do for him-be a father. I touch on that in the next piece your eyes are going to read..."The Stand"


    The Stand

    Verse One
    Dealt hands too much for too young as such child
    Runs against standard grain almost, nearly wild
    Repeated actions, an art of the stand off born boy
    Not some habit time can simple plan destroy
    Hard road to build strength in youth
    A spray of destiny and the power of truth
    Disorder not a problem, mere measure of a man
    Fall on bended knees and continue to stand

    Chorus
    Stand, man; love a miracle born
    Be not the masses, be not torn
    One life needs yours to be more than you
    Stand now for it is the only thing to do

    Verse Two
    Woman left amid the stress of the caring arms
    Failed reckless to see the miracle charms
    The child with no words perfect but no worse
    Mother saw not blessings in what all call curses
    Fell to daddy dearest to shoulder the years
    To push back the society of night bound in fears
    A final back cannot turn but offer a hand
    So that son and father together can stand

    Chorus

    Verse Three
    Grew up because God makes no mistake
    About the testing, trying path feet must take
    Son slightly askew but more character to share
    With someone made of frights but obliged to care
    Naysayer belief in the failure of novice pitch
    Refusing to falter, refusing to switch
    Difficult though it may be, father is in demand
    To be the only one able, willing to stand

    Chorus

    (They pass the father, smiling at his attention despite being so young. In the face of this scene a homeless vagrant passes and sees a half-eaten muffin. He lingers over it and…)